violin ♥♥♥
The violin is sometimes informally called a
fiddle, regardless of the type of music played on it. The word
violin comes from the
Middle Latin word
vitula, meaning
stringed instrument;
[1] this word is also believed to be the source of the
Germanic "fiddle".
[2] The violin, while it has ancient origins, acquired most of its modern characteristics in 16th-century
Italy, with some further modifications occurring in the 18th and 19th centuries. Violinists and collectors particularly prize the instruments made by the
Gasparo da Salò,
Giovanni Paolo Maggini,
Stradivari,
Guarneri and
Amati families from the 16th to the 18th century in
Brescia and
Cremona and by
Jacob Stainer in
Austria. Great numbers of instruments have come from the hands of "lesser" makers, as well as still greater numbers of mass-produced commercial "trade violins" coming from cottage industries in places such as
Saxony,
Bohemia, and
Mirecourt. Many of these trade instruments were formerly sold by
Sears, Roebuck and Co. and other mass merchandisers.
A person who makes or repairs violins is called a
luthier, or simply a violin maker. The parts of a violin are usually made from different types of
wood (although electric violins may not be made of wood at all, since their sound may not be dependent on specific
acoustic characteristics of the instrument's construction), and it is usually strung with
gut,
nylon or other synthetic, or steel strings.
Someone who plays the violin is called a violinist or a fiddler. The violinist produces sound by drawing a
bow across one or more strings (which may be stopped by the fingers of the other hand to produce a full range of pitches), by plucking the strings (with either hand), or by a
variety of other techniques. The violin is played by musicians in a wide variety of musical genres, including
Baroque music,
classical,
jazz,
folk music, and
rock and roll. The violin has come to be played in many non-western music cultures all over the world.
Viola ♥♥
The viola is similar in material and construction to the
violin. A full-size viola's body is between 1 inch (25 mm) and 4 inches (100 mm) longer than the body of a full-size violin (i.e., between 15 and 18 inches (38 and 46 cm)), with an average length of 16 inches (41 cm). Small violas for children typically start at 12 inches (30 cm), which is equivalent to a
half-size violin. For a child who needs a smaller size, a fractional-sized violin is often strung with the strings of a viola.
[2] Unlike the violin, the viola does not have a standard full size. The body of a viola would need to measure about 20 inches (51 cm) long to match the acoustics of a violin, making it impractical to play in the same manner as the violin.
[3] For centuries, viola makers have experimented with the size and shape of the viola, often adjusting the proportions or shape to make a lighter instrument with shorter string lengths, but which still has a large enough
sound box to create an unmistakable 'viola sound'.
Experiments have tended to increase the size of the viola, in the interest of improving the instrument's sound.
Hermann Ritter's 'viola alta', which measured about 18.9 inches (48 cm), was intended for use in
Wagner's operas.
[4] The
Tertis model viola, which has wider bouts and deeper ribs to promote a better tone, is another slightly 'non-standard' shape that allows the player to use a larger instrument. Many experiments with the acoustics of a viola, particularly increasing the size of the body, have resulted in a much deeper tone, making it resemble the tone of a 'cello. Since many composers wrote for a traditional-sized viola, particularly in orchestral music, changes in the tone of a viola can have unintended consequences upon the balance in ensembles.
More recent (and more radically shaped) innovations have addressed the ergonomic problems associated with playing the viola by making it shorter and lighter, while finding ways to keep the traditional sound. These include the Otto Erdesz 'cutaway' viola, which has one shoulder cut out to make shifting easier;
[5] the 'Oak Leaf' viola, which has two extra bouts;
viol-shaped violas such as Joseph Curtin's 'Evia' model, which also utilizes a moveable neck and a maple-veneered
carbon fibreback, to reduce weight:
[6] violas played in the same manner as cellos (see
vertical viola); and the eye-catching
"Dalí-esque" shapes of both Bernard Sabatier's violas in fractional sizes - which appear to have melted - and David Rivinus' 'Pellegrina' model violas.
[7]Other experiments that deal with the "ergonomics vs. sound" problem have appeared. The American composer
Harry Partch fitted a viola with a cello neck to allow the use of his 43-tone scale. Luthiers have also created five-stringed violas, which allow a greater playing range. Modern music is played on these instruments, but viol music can be played as well.
Cello ♥
Cellos were derived from other mid- to large-sized bowed instruments in the 16th century, such as the
viola da gamba, and the generally smaller and squarer
viola da braccio, and such instruments made by members of the
Amati family of
luthiers. The invention of wire-wrapped strings in Bologna gave the cello greater versatility. By the 18th century the cello had largely replaced other mid-sized bowed instruments.
Bass ♥
The
double bass, also called the
string bass,
upright bass,
standup bass or
contrabass, is the largest and lowest-pitched
bowed string instrument in the modern
symphony orchestra, with strings usually tuned to E1, A1, D2 and G2 (see
standard tuning). The double bass is a standard member of the string section of the
symphony orchestra[1] and smaller string ensembles
[2] in
Western classical music. In addition, it is used in other genres such as
jazz, 1950s-style
blues and
rock and roll,
rockabilly/
psychobilly, traditional
country music,
bluegrass,
tango and many types of
folk music. A person who plays the double bass is usually referred to as a bassist.
The double bass stands around 180 cm (six feet) from scroll to endpin,
[3] and is typically constructed from several types of wood, including maple for the back, spruce for the top, and ebony for the fingerboard. It is uncertain whether the instrument is a descendant of the
viola da gamba or of the violin, but it is traditionally aligned with the
violin family. While the double bass is nearly identical in construction to other violin family instruments, it also embodies features found in the older
viol family.
Like many other
string instruments, the double bass is played either with a
bow (arco) or by plucking the strings (
pizzicato). In orchestral repertoire and tango music, both arco and pizzicato are employed. In jazz, pizzicato is the norm, except for some solos and also occasional written parts in
modern jazz that call for bowing. In most other genres, such as blues and rockabilly, the bass is plucked.
When playing the double bass, the bassist either stands or sits on a high stool and leans the instrument against the bassist's body with the bass turned slightly inwards in order to more easily reach the strings. This stance is also a key reason for the bass' sloped shoulders, which mark it apart from the other members of the violin family, as the narrower shoulders facilitate playing of the strings in their higher registers.